![]() ![]() “This is the point when other authors would paint themselves in a better light, rather than throw themselves into an X-ray machine. Something is clearly very, very wrong in that house – but who is the villain, and what really happened to Verity’s two young daughters? It’s a unputdownable thriller – Colleen Hoover constructs a claustrophobic, menacing setting and a tightly-wound plot. But then there are those families that seem to have tragedies waiting on the back burner. ![]() “Some families are lucky enough to never experience a single tragedy. She starts seeing things, like Verity – ostensibly non-communicative and unable to move independently – moving around the house, talking to her young son and locking doors that were previously open… And the more Lowen reads, the more disturbed she becomes. One that paints the picture-perfect family that Verity and Jeremy have built in a rather different light. While she’s there, she discovers another manuscript. And the only practical solution – given the enormous stacks of notes Verity wrote before her accident – is for Lowen to come to the family home and wade through Verity’s office by hand. Verity is involved in a tragic accident that leaves her unable to complete her crime-thriller series, and her husband Jeremy believes that what Verity would have wanted is for another writer to take on the task. Lowen is a struggling writer facing eviction – at least until the opportunity of a lifetime presents itself. Verity is an accomplished writer – at least she was. ![]()
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